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Beautiful painting by contemporary Iranian artist Parvaneh Ghasemi of a young Iranian woman.

Beautiful painting by contemporary Iranian artist Parvaneh Ghasemi of a young Iranian woman.

Hi Everyone,

Late again!  Walking out of a lecture this afternoon, two wonderful friends commented casually “don’t let being late put pressure on you!” I thought that was great advice, particularly if I want to keep these windows going. So, I am not going to apologize for being late this time. And, I have exciting news: yesterday we got featured on the front page of my university’s student publication Student Life, how cool is that? The article is called “Professor’s
writing aims to reshape view of American Muslims
.” The paper found us on the web where a good friend Sheila Musaji posts these windows on her website The American Muslim. Thanks Sheila! Kind mentions of the write up in Student Life have been coming in.

Now without further ado, Window number 11 on Iran, on the eve of Halloween with trick-or-treaters in the background!

Current Issues

* The spooky subject of  “nuclear threat” suits the Halloween
atmosphere. But before I get to Iran, you must listen to an
anecdote. I was sitting in our local Border’s bookstore with a cup
of coffee and twenty-five papers to read when my eyes caught the
cover of what I think was a September issue of the Newsweek.  It
had a catchy title about the North Korean nuclear threat with a
grim picture of the country’s leader wearing a pair of dark
glasses, a mushroom cloud reflected in each. I should have known
better, but read the report which said more about the leader’s
inferiority complex and hair style than North Korea’s nuclear
technology. A few days later, a friend quoted his colleague (in
the hospital where he works) as saying he would shoot as many
North Koreans as necessary to rid the world of their threat. Only
then I realized that the North Korean leader’s menacing look —
and the official line that Koreans “pretend” to negotiate to buy
time —  had worked on me too. The bigger shock came a week later,
reading a book that actually discussed North Korea’s breaking of
its promise and developing nuclear capability. The book attributed
it to the current U.S government’s breach of its earlier promises
to N. Korea, first by including Korea in the “axis of evil,” and
then terminating its pledged shipments of fuel oil and the agreed
construction of alternate power plants in that country. The writer
of the book was not Noam Chomsky but Jimmy Carter. Since I am
always going on about American media’s shortcomings, I should tell
you that the courage and forthrightness of this American brought
tears to my eyes. He wasn’t being partisan either. Here is what he
had to say about the real nuclear threat in our current world:
o “While claiming to be protecting the world from
proliferation threats in Iraq, Libya, Iran and North Korea,
American leaders have not only abandoned existing treaty
restrictions but also assert plans to test and develop new
weapons, including antiballistic missiles, the
earth-penetrating ‘bunker buster,’ and perhaps some secret
new ‘small bombs.’ They have also…reversed another long
standing policy, by threatening first use of nuclear weapons
against non nuclear states.” ( p.138 )
o And here is another quote from President Carter. If you want
to read more, I cite the reference below:
“The ABM Treaty prohibited space-based weapons, but our
government’s abandonment of the treaty in 2002 opened the
door on this extremely destabilizing project. The new
Defense Department doctrine defines our goals as “freedom to
attack as well as freedom from attack” in space. The goal is
to strike any target on earth within forty-five minutes. As
described by the U.S. Air Force, one method, named “Rods
from God,” would hurl cylinders of heavy metals to strike a
target at seventy-two hundred miles per hour, with the
destructive force of a small nuclear weapon.” (p.143)

Suggested Reading: Our Endangered Values: American’s Moral Crisis by
Jimmy Carter (New York: Simon & Schuster Paperbacks, 2005)

* Now, against this background, look at the Iranian situation
about which this week you have read alarming news of further steps
toward uranium enrichment. Look past headlines, mushroom clouds
reflected in sunglasses, and it turns out that Iranian plants —
even if they become fully operational — are currently configured
to produce low enriched uranium (LEU) rather than the
weapons-grade highly-enriched uranium (HEU). Even the CIA experts
put the chances of making the first bomb — if Iran decides to
make one — at 10 to 15 years ( here is the full essay although
the less alarming part comes close to the end):
http://news.bbc.co.uk/2/hi/middle_east/4606356.stm.  In addition,
here (courtesy of my friend Seth Graebner) is a thoughtful and
fairly detailed analysis from the Foreign Affairs magazine on the
possibilities of negotiating with Iran concerning its nuclear
technology. It is by Scott Sagan professor of political science
at Stanford. Though the essay is a far cry form the alarmist
mushroom cloud images, it does call Iran the “rogue” regime,
“hostile,” etc. I suppose, that is the standard language these
days. One thing I really respected about President Carter’s book
was his dignified manner of speaking about other countries.

*I guess it is time to wrap up politics and attend to some more
interesting matters. Before that, however, I have had a request
from a very dear friend Cynthia Richards to distribute a
nonpartisan information sheet about the voting process in the
upcoming election, please click here to open it: Voting Information Sheet.

Cultural

* A hot cultural topic this week in the news concerns two legal
cases ruling the fate of a number of very important ancient
Persian artifacts held at US research universities. These legal
disputes, being heard at the United States District Court level,
revolve around 2,000-year-old Iranian items controlled by the
University of Chicago and Harvard University. If these cases
produce conflicting judgments, they may be taken up at the Supreme
Court, meaning there won’t be swift resolutions. In the meantime,
more Iranian artifacts are likely to be targeted. To read more,
click on:  http://www.niacouncil.org/pressreleases/press476.asp.

* On October 18, The Iranian Cultural Heritage Organization declared
the house of the prominent woman poet Parvin Etesami (1906-1941)
to be named a national monument.
http://en.wikipedia.org/wiki/Parvin_Etesami.  A charming house of
over 1,000 square meters, located in the neighborhood of
Sarcheshmeh on the outskirts of Tehran, Etesami’s house is nearly
a century old.  Etesami who has been somewhat overshadowed by the
powerful later female poetic voices of 20th cent. Iran, has had a
gentle, yet firm and lasting presence. Her poetic themes range
from celebration of motherhood and descriptions of nature, to
strong advocacy for social and political reform. You can find a
good deal of Etesami’s poems, in the original Persian, on the web
at: http://www.anvari.org/iran/Poetry/Parvin_Etesami/ though I
have to confess to ignorance about the quality of the edition. For
a more reliable source, see the reading below.

Suggested reading: Once a Dew drop: Essays on the Poetry of Parvin
Etesami
. Edited by Heshmant Moayyad as well as A Nightingale’s Lament:
Selections from the Poems and Fables of Parvin Etesami
also by Heshmat
Moayyad are both available from Amazon Books.

Visual Delight

* To honor the trick-or-treat tradition, I have a special treat
this week. My friend Bahar Bastani sent four paintings by a
contemporary Iranian painter Iman Maleki that were just exquisite
images of young women, oil on canvas. Not only was the quality of
Maleki’s paintings almost breathtaking, I was astounded at the
fact that I had never heard of him. And I consider myself
interested in the art of painting, not to mention annual visits to
Iran. So, I put together a small slide show for you of a handful
of contemporary Iranian painters working with human figure in
their work. I call it “portraits” but they are not all portraits.
I provide the artists’ name but don’t always have their pictures
or other details. All the painters currently live in Iran.  As
usual, click here to view the slideshow: Iranian Contemporary Painting “Portraits”. Enjoy!

Have a great week!

Fatemeh

========================
Fatemeh Keshavarz, Professor and Chair
Dept. of Asian and Near Eastern Languages and Literatuares
Washington University in St. Louis
Tel: (314) 935-5156
Fax: (314) 935-4399
========================

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Iranian American Dr. Lily Afshar is considered to be one of the worlds best female guitar players. She has also recently began playing the setar.

Iranian-American Dr. Lily Afshar is considered to be one of the worlds best female guitar players. More recently, she has also began playing the Persian instrument setar (see below for more information).

Greetings everyone,

I hope you have all had a great weekend. Many thanks for all your kind notes and for joining the listserv. I received enthusiastic comments about the calligraphy exhibit that I sent in window number 9. I am glad you enjoyed them and will keep an eye open from more calligraphic works I can send.

As usual, please give me about two weeks to get back to you if you have any questions. If you send me a kind note of support or ideas for future windows, I might not be able to respond simply because of the volume of correspondence. Please forgive me. I do read all your e-mails with great interest. If you signed on during the past two days, you will get this window (and the previous windows, if you asked for them) with a day or two delay. Again, that is because it usually takes JoAnn and I a couple of days to process new requests.

Current Issues:

* I did not find Iran in the headlines (itself amazing news).
Instead, I attach an informative interview with Dr. Trita Parsi
the US-based scholar on Iran (and the current President of NIAC).
He talks about the position of Iranian politicians, the executive
powers of the Iranian President, and possibilities of diplomatic
solutions to the nuclear standoff, among other things:
http://www.time.com/time/world/article/0,8599,1543504,00.html

Iranian Americans:

* The prominent Iranian American I would like to introduce to you
this week is again a musician. This is, in fact, one of the top
female classical guitar players in the world, Dr. Lily Afshar.
Born and raised in Iran, Lily Afshar completed her graduate work
in music at the Boston Conservatory. She has been teaching in
University of Memphis since 1989 and, at the same time, has been
performing internationally. More recently, she has started the
Persian instrument setar. To see a picture of Lily Afshar and read
about her achievements, click on:
http://en.wikipedia.org/wiki/Lily_Afshar
Isfahan Slide Show:

* As you can see I have not forgotten the slide show I promised last
week on the historic city of Isfahan. After I sent my slide show
on Shiraz, a friend wrote that he included the topic of Shiraz in
one of his lectures so he could share the slides with his
students. I hope you find the slides of Isfahan equally beautiful
and usable in the classroom. Just click here: Beautiful and Historic City of Isfahan, Iran.

Naqshe Jahan Square in the historic city of Isfahan.

Naqsh-e Jahan Square in the historic city of Isfahan.

A Major Contemporary Persian Ghazal Writer:

*Reference to Persian poetry usually evokes thought of classical figures such as Omar Khayyam, Hafez and Rumi. From time to time, the modern verse of Forough Farrokhzad, Ahmad Shamlu and others of their generation becomes available in English. Twentieth century Iranian poets are known almost exclusively for their reformist tendencies that transformed classical genres into what Iranians now call ‘shi’re now,’ literally “new poetry.” In this poetry, figures such as Farrokhzad introduced wonderfully fresh ideas which were not considered fit for poetry before. In the poem “From darkness,” for example, Farrokhzad wrote:
I  called you
my whole being held in my hands
like a bowl of milk
the moon glanced blue on the panes

The fact that is almost entirely unknown outside Iran — because
very little translation has been done — is that twentieth century
Iran has great ghazal writers some comparable to Sa’di and Hafiz
only writing their ghazals in a new poetic language. Houshang
Ebtehaj with pen name Sayeh (b. 1927) is one such master poet. For
a recent photo of Ebtehaj during a poetry reading click on
http://saamhouse.co.uk/gallery/archives/000029.php#000029 . Despite
the imposing look, and his reputation as a poet with political and
social comittment, Ebtehaj has a vast quantity of gentle lyric
poetry in ghazal form (as well as many in modern poetry). To my
knowledge, there are no English translations of these ghazals. If
you read Persian click on
http://www.easypersian.com/houshang_ebtehaj/sineh_sardan.htm to
see a couple of the ghazals in Persian (and a short and basic
biography in English).

* On the topic of classical persian poetry, if you are interested in
reading stories from Firdowsi’s classical epic Shahnameh/The Book
of Kings
as comic books, click on:
http://www.hyperwerks.com/series/rostam_chara1.html (courtesy of
Ladan Foroughi).

Iranian Cinema:

* Iranian women’s most recent international achievements have
included the movie “Friday Evening,” Mona Zandi’s directional
debut, which won the special jury prize in Cologne film Festival
last week: http://www.payvand.com/news/06/oct/1170.html.  In fact,
the festival dedicated an entire section to Iranian women film
makers. On the topic of cinema, another Iranian (this time male)
director Azizollah Hamidnejad won the Tegernsee Award for his film
“Tears of Cold” in the Mountain Film Festival held in Germany,
Oct. 18-22.

Visual Delight:

* I leave you with two oil paintings by the young painter Adel
Younesi. The theme of both is street side peddlers. I find them
both delightful: http://www.elahe.net/photo.php?picid=3474 and
another one on the same theme
http://www.elahe.net/photo.php?picid=3473

Have a great week.
Fatemeh
========================
Fatemeh Keshavarz, Professor and Chair
Dept. of Asian and Near Eastern Languages and Literatuares
Washington University in St. Louis
Tel: (314) 935-5156
Fax: (314) 935-4399
========================

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Metro in Tehran.

Metro in Tehran.

Greetings everyone,

I know, I promised to send you Window number 9 with a short delay. An
out of  town talk, and a canceled flight are the shortest explanation
for why it took longer than I promised. I have already had a number of
queries about the delayed window which is absolutely wonderful. It tells
me that you look through these windows with interest and this alone
makes the work worthwhile. So, I decided to keep the slide show of
Isfahan — which I am working on — for the next window to makesure that
this window goes out tonight. Please continue to forward to friends and
let me know if you are missing any of the windows.

Without further ado, here comes window number 9 on Iran.

Current Issues:

* According to the New Jersey online news source Star-ledger, an
interview with 400 Iranian citizens residing in Shiraz and Tehran
shows that Iranians distinguish between American foreign policy
and American people, and are fond of Americans:
http://www.nj.com/news/ledger/index.ssf?/base/news-9/115872801684860.xml&coll=1
* Emphasizing the above point in a congressional briefing on October
11, President of the National Iranian American Council (NIAC) Dr.
Trita Parsi described Iran as an asset rather than a threat to the
United States: http://www.niacouncil.org/pressreleases/press472.asp
* On Thursday September 28th, 2006, City and County of San
Francisco’s Human Rights Commission (HRC) conducted a hearing on
the visa revocation and mistreatment of visiting  Iranians. The
hearing was an inquiry into the treatment of the Iranian Citizens
who after arriving in the US found their visas revoked, and were
sent to immigration detention centers. Representatives of the
Department of Homeland Security, Border Control and Protection
(BCP) were invited to respond to the inquiry. Commissioners
expressed their dismay of what had happened to the detainees. A
large number of Iranian Americans attended.

Iranian Americans

* I promised to keep you updated on the Iranian American community.
It turns out we are more numerous than previous records showed. To
read the most recent study done at MIT, click here: MIT Study on Iranians in the U.S.

* This week, I want to introduce you to a Los Angeles based group of
Iranian American musicians, the Lian Ensemble. Described by top
critics as “virtuoso,” “world class” musicians, and “absolutely
soulful,” the members of the ensemble are firmly rooted in the
authentic music tradition of Iran. At the same time, they work
with master musicians from around the world (including great
American musicians) using their art to bridge cultures and promote
the ideal of peace. I have personally had the pleasure of reading
poetry with the ensemble and hosting them here at the Missouri
Historical Society and at Washington University in St. Louis. We
called our poetry and music performance The Axis of Love. Do visit
their web site at www.lianrecords.com to read about Persian
mystical music, the individual artists, and to listen to excerpts
from their work.

Social / Political

* In Tehran two new metro stations opened last week:
http://www.payvand.com/news/06/oct/1125.html
*  From March to September 2006, Iran exported over 18 million
dollars of saffron to neighboring countries:
http://www.payvand.com/news/06/oct/1110.html

* An Iranian court ordered the closure of the reformist newspaper
Sharq. While I usually focus on the positive news because the
negative gets enough publicity here in the US, this is an
important event. Any outside pressure on Iran (sanction, or talk
of regime change) provides the hard-liners with the pretext to
present the Iranian reformists as a threat in time of crisis.

Culture / Art / Sports

* Let me introduce you another great Iranian writer from Shiraz.
This is Simin Danishvar, the author of Savushun, the first Persian
novel that sold close to half a million copies. Born in Shiraz in
1921, Danishvar moved to Tehran where she was one of the first
Iranian women to receive a Ph.D. from Tehran University in 1949.
Her best-selling novel Savushun has two English translations. For
the translation by Mohammad Ghanoonparvar, see:
http://www.amazon.com/Savushun-Novel-Modern-Persian-Classics/dp/0934211310
For a collection of Danishvar’s short stories see Danishvar’s
Playhouse: a Collection of Stories available through Amazon:
http://www.amazon.com/Daneshvar-s-Playhouse-Collection-Stories/dp/0934211191

* Iranian cinema made a big splash with several prizes at the
Italian film festival (Oct. 11-14) in Trento, Italy:
http://www.payvand.com/news/06/oct/1171.html
* Iranian women volleyball players are pleased with the World
Volleyball Federation approving their playing in Islamic outfit:
http://www.payvand.com/news/06/oct/1018.html

Visual Delight

* Take a look at examples from the paintings of the young Iranian
artist Asal Khosravi, clicking on each painting to see the larger
version: http://www.elahe.net/thumb.php?gallery=290 And visit the
drawings of Mohsen Daeinabi inspired by art of calligraphy at:
http://www.elahe.net/thumb.php?gallery=244
And before I say good-bye, I would like to invite you to listen to a
beautiful song by the young and upcoming Iranian percussion artist and
vocalist, Homayun Shajarian The song is about five minutes, clik on the
link to listen :
http://tamashagaheraz.org/specific/noroz85/001homayon-naghshe%20kheyal-03tobeshekan.wma

Have great week,
Fatemeh
========================
Fatemeh Keshavarz, Professor and Chair
Dept. of Asian and Near Eastern Languages and Literatuares
Washington University in St. Louis
Tel: (314) 935-5156
Fax: (314) 935-4399
========================

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Beautiful Qashqai women in Iran. The Qashqai are one of Irans many ethnic minority groups (See below for more information).

Beautiful Qashqa'i women of Iran in their colorful traditional dresses. The Qashqa'i are one of Iran's many ethnic minority groups (See below for more information about them and other ethnic groups).

Greetings Everyone!

I don’t know how to thank you for all your kind messages, for forwarding these windows to others, and for recommending it. Over thirty names have been added to the list in the past two days alone. All I can say is I am delighted these windows have so many onlookers. Welcome to window number eight!

Current Issues

* On the last day of House legislative business, Iran sanctions advocates pushed through legislation ( HR 6198 ) strengthening sanctions and promoting a policy of regime-change in Iran.
Managing the bill on the House floor, Rep. Ros-Lehtinen made the
case that IFSA’s policies complemented US diplomatic activity.
“Sanctions target the Iranian regime where it is most vulnerable:
its energy sector,” said Ros-Lehtinen in her opening remarks.
Leading a bipartisan corps of members who spoke in opposition to
the measure, Rep. Earl Blumenauer (D-OR) characterized the latest
version of the Iran Freedom Support Act (IFSA) as a “cruise
missile” and stated that, “the timing for this legislation could
not be worse.” Right he is. The most immediate impact of this
“cruise missile” — besides hurting ordinary people not the regime
— is weakening the moderates within the Iranian political sphere.
The hard-liners will loose no time in using this legislation to
remind the country that America is indeed Iran’s enemy.

Nothing heals like a good poem! In response to this aggressive move,
let’s read together a stanza from a great classic of twentieth century
Persian poetry by Ahmad Shamlu (b.1925), Shamlu, known as the “Poet of
Liberty,” faced hostility by the Shah’s regime and remained out of favor
with the Islamic Republic. He wrote some of the most poignant
revolutionary, as well as lyrical, poems of modern Persian language.
Here is an excerpt from a poem he dedicated to his wife Aida called
“Aida in the Mirror” translated by my good friend Ahmad Karimi-Hakkak
(University of Maryland):

Tempests play magnificently a tiny flute
in your grand dance
And the singing of your veins makes the sun of always rise
(Let me rise from sleep so that the lanes of the city
perceive my presence).

Your hands are reconciliation
and friends helping that hostilities may be forgotten

Suggested Reading: An Anthology of Modern Persian Poetry, selected and
translated by Ahmad Karimi Hakkak ( Westview Press, 1978 ) Still is
available through Amazon Books.

Science

* On a much happier note, Iran’s cloned sheep born yesterday is
alive and kicking, reported Iranian doctors in the Royan
research center in Isfahan. More significantly, a combination of
the cloning methods and the new progress made by Iranian
physicians in the field of spinal injuries has created
possibilities of curing those suffering from spinal damages,
Nasr-Esfahani said. Iranian specialists recently announced a
breakthrough in curing spinal injuries with the culture of Schwann
cells enabling those suffering from paralysis to move. For cute
pictures of the newly born cloned sheep click on the first link
below (here the text is Persian)
http://www.isna.ir/Main/NewsView.aspx?ID=News-799766&Lang=P

For more reading on the subject, click on this link:
http://www.irna.ir/en/news/view/line-16/0610015225123117.htm and
http://www.payvand.com/news/06/oct/1015.html

Social

* This is the Children’s week in Iran. Each day is devoted to a
topic such as “Children and Health”, “Children and Equal
Opportunities,” etc. The United Nations International Children’s
Fund (UNICEF) will participate in the events. Activists such as
Shirin Ebadi have been instrumental in drawing attention to
children’s rights in Iran. More needs to be done, particularly in
relation to minority children such as abandoned children of
Afghani fathers who have returned to Afghanistan after the
collapse of the Taliban regime.

* Many of you have been asking questions about ethnic minorities in
Iran. I will keep an eye open for material. Iran’s ethnic
diversity is truly amazing. Of course, like everywhere else, all
kinds of jokes and stereotypes are attached to each group. In
general, however, people are fairly used to hearing different
languages and seeing different costumes on the street. The nomadic
Qashqa’is, for example, still wear their very colorful dresses.
Click on this link to see a beautiful young Qashqai girl in
festive outfit (center of the page):
http://www.11iran.com/Z2INDEX.HTM . To get a general idea of
Iranian ethnic diversity and its geographical distribution click
on:  http://en.wikipedia.org/wiki/Ethnic_minorities_in_Iran

Prominent Iranian Americans:

* This week’s personality is Google’s senior vice president for
global sales Mr. Omid Kordestani, 42. He joined  the company a
year after its establishment as its “business founder” and is
viewed as a force behind Google’s success. Here is the link if you
like to read more (courtesy of my friend Bahar Bastani):
http://www.time.com/time/magazine/article/0,9171,1187475,00.html
Also, I must apologize for sending the wrong link on the Harvard
Scientist Nima Arkani in the last window. Instead of just a
picture, I meant to send this brief description of his impressive
work:
http://www.physics.harvard.edu/people/facpages/arkani-hamed.html

Art and Culture

* If you are off to France, don’t miss the exhibition of more than
200 items from the last major pre-Islamic Persian empire the
Sassanians on view at the Cernuschi Museum Paris (15th September
to 30th December 2006). By the way, art historians would tell you
that these pre-Islamic objects — and many more — survived
because Muslim conquerors of Iran did not destroy them. Click on
this link to get a brief preview:
http://www.irandokht.com/editorial/index4.php?area=pro&sectionID=9&editorialID=2143

Suggested Reading:  Mostly Miniatures: An Introduction to Persian
Painting by Oleg Grabar
. A more general art history, The Golden Age of
Persian Art 1501-1722
by Sheila Canby both available through Amazon.
And Western art is exhibited in Iran. Check this one out:

* Last summer Tehran Museum of Contemporary Art held a major
exhibit (June-October 2005) called “Modern Art Movements,”
bringing together a historic number of contemporary world
masterpieces owned by Iranian Museums.  Barbara Rose who writes
about the exhibit for “The Wall Street Journal on Line” observes:
“The unprecedented show was a huge success.”  “The first gallery”
she says ” was filled with Impressionist and Post-Impressionist
paintings. There was a Gauguin still life, a rare Léger from 1913
and Picasso’s synthetic cubist masterpiece, “Fenêtre Ouverte sur
la Rue de Penthièvre,” as well as his late cast bronze of a baboon
cradling her baby, which is also in the Picasso Museum in Paris.
There were circus performers by Georges Rouault as well as a
daring watercolor by the German Dadaist George Grosz. Other
European and American modern masters were on view with a special
section devoted to Pop artists Roy Lichtenstein, Andy Warhol,
David Hockney, Richard Hamilton, Claes Oldenburg and Jim Dine.
Also in the collection are sculptures by Magritte, Henry Moore and
Giacometti; paintings by Wassily Kandinsky, Joan Miró and Georges
Braque; and three important Toulouse-Lautrecs.”

Now, check out Ms. Barbara Rose’s tone in her write up:

*”Most remarkably,” she observes “an entire gallery was devoted
to Abstract Expressionism, the art movement that proclaimed
America’s cultural primacy.”  She is even more shocked at the
Iranian Museum of Contemporary art’s “continuing to list the works
of modern Western art, including a number of prominent Jewish
artists, as part of its permanent collection, which is presumably
open to the public [can the museum be making this up?]. A more
recent, “ironic” exhibition, she adds :” is that of paintings by
the well-known Jewish painter Marc Chagall also opened in Tehran
this summer.” [2006].

*Here is what she concludes: “No one knows what will happen to
the masterpieces of modern Western art in Tehran. They are said to
be worth billions of dollars now and are too expensive to be
destroyed.”  And finally, concerning a painting of a female leg,
owned by the museum, which has not been on display, Ms. Rose
speculates: “Did some fanatic realize it is a woman’s and throw a
cloth over its offensive nudity? Is it being held for ransom to be
exchanged for a valuable Persian manuscript or an important weapon?”

* All right, we need more antidote. Let’s just visit a few of our
concluding Visual Delights, some recent exhibits of the works of
Iranian painters and art-lovers who — no doubt — enjoyed the
above exhibit tremendously (and luckily won’t have to read Ms.
Rose’s review). I have particularly enjoyed the portrays by Nemat
Lalehei
http://www.elahe.net/thumb.php?gallery=316 . Lalehei is an
artist from the northern city of Rasht. Be sure to double click on
each portraits to see the enlarged version. Another male artist,
and one very different in style and temperament is:  Masoud
Dashtban
http://www.elahe.net/photo.php?picid=3416 . Finally,
please take a look at the works of the young photographer, Salomeh
Manouchehri
. Here too, you must enlarge the photographs to see the
subtleties of her work. Enjoy:
http://www.elahe.net/thumb.php?gallery=313

Have a great week. I hope to be opening another window in about a week.
Best,

Fatemeh
========================
Fatemeh Keshavarz, Professor and Chair
Dept. of Asian and Near Eastern Languages and Literatuares
Washington University in St. Louis
Tel: (314) 935-5156
Fax: (314) 935-4399
========================

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Arian Band. One of the most popular pop/rock bands in Iran.

The Arian Band. One of the most popular pop/rock bands in Iran. Scroll down to learn more about them and other contemporary musicians in Iran.

Hi Everyone!

I hope you have all had a very good weekend. It looks like Monday nights
is going to be a more likely night to send out the windows. Many thanks
for all your words of encouragement and for placing interested friends,
relatives, and colleagues on the list. This is a drop in the sea as we
say in Persian, but I am sure there is saying in every language to the
effect that every drop counts. So, here we go again, Window number 7 is
waiting for you.

Current Issues:

* How could there be any other current issue when Mr. Ahmadinejad is
visiting the U.S.? During such visits, Iranians usually hold their
breath for the next inflammatory remark he will make. If you are
among those who get really irritated — and I don’t blame you at
all — just remember that President Bush included Iran in “The
Axis of Evil” when President Khatami was in office and did his
best to start a “dialogue between civilizations.”  What the
American media carefully overlooks is that much of the world —
perhaps due to Mr. Ahmadinejad’s criticism of American foreign
policy — has shown him a fairly receptive attitude. 118 member
states of the Non-Aligned countries issued a statement in support
of Iranian nuclear technology at the end of their 14th summit last
week (September 18, 2006).

* Here is what Mr. Ahmadinejad said in a U.N. press conference
(September 21, 2006), answering the question “What can Iran do to
assure the international community that the country is not making
a nuclear bomb?” He responded:  “The IAEA has published many
reports. Numerous reports saying that they do not see any
violation of the treaty requirements of NPT by the Iranian
government. … I am at a loss, in understanding what else we need
to do, to provide guarantees. I have said to the dear gentleman
here. That there is no provision in the NPT that says. That we do
not have the right– that, perhaps it says– that we need the vote
or the confidence of the U.S. government to have peaceful nuclear
technology. There is no such provision. … Should Iran shut down
every technological development? In the biological field? And the
medical field? And the chemical field? Because, in any of these
fields, there’s a possibility of dual usage. Possibly a chemical
bomb. So when we speak of justice. We mean that everyone is equal.
When we act within the framework of international law and follow
the provisions of the NPT. … It’s very important to make these
nuclear facilities program a transparent one … there’s no need
to hide such development. …we’ve actually given information to
the IAEA. We’ve invited international world community to visit our
facilities. Now, we are told, by some, that, “You have to gain our
trust and confidence.” But we don’t have any criteria developed
for confidence-building, as such. It may take a hundred years or
more for you to gain confidence, in what we do. What are we
supposed to do given the context that in the past 27 years. You’ve
demonstrated so much hostility towards our nation. …” (Thank you
Amir Ali Companieh for forwarding the whole interview).

* Last week theatrical events at the U.N. were also interesting to
watch. Mr. Chavez (whose personal attack on Mr. Bush is – in my
opinion – unprofessional for a head of a state) received a
standing ovation. The American media showed little alarm at the
world’s anti-American sentiments and explained the support
for Chavez and for Ahmadinejad to be the result of these two
countries large oil reservoirs. This hypothesis is simplistic and
disrespectful of world opinion. And it can be tested. Next time
the Saudi Arabian representative speaks at the U.N., watch the
reception he gets. We need — in my opinion — to be concerned
with the fact that these two politicians (Chavez & Ahmadinejad)
get away with much simply because of their outspoken criticism of
U.S. foreign policy.

Science

* Fortunately, the Iranian President returned home, and we can now
attend to more interesting matters. A very young Iranian American
scientist Nima Arkani Hamed has been in the news lately (I heard
about him thanks to my friend Behfar Dianati). Nima Arkani Hamed,
currently a professor of physics at Harvard is a leading scientist
in particle physics and string theory.  For a short biography and
reference to his work click on:
http://www.anvari.org/iran/Famous_Iranians/Nima_Arkani-Hamed.html
(It looks like I should keep a regular section on Iranian
Americans).

Art/Culture

* How about a cookbook for a starter? I would recommend any cookbook
by Batmanglij, particularly Persian Cooking for a Healthy Kitchen

http://www.amazon.com/gp/explorer/0934211671/2/ref=pd_lpo_ase/102-6161793-5949765
Do scroll down and look at two other titles: New Food for Life and
— particularly if you are vegetarian like me — Silk Road
Cooking: A Vegetarian Journey by the same author. You will not be
disappointed.

* No, I am not resorting to cookbooks because I have run out of
subjects. Just trying to keep this exchange healthy and wholesome.
Since we are on a touristic subjects, let me tell you that Iran is
trying hard to tell the world that it is visitable. Beautiful
hotels are being built around the country. I have chosen one that
is not just beautiful but rather unusual. A traditional building
in a mountainous location in the North Eastern province of
Azerbaijan (close to the city of Tabriz) has been converted into a
hotel. Click here (Mountain Hotel–Tabriz) to see!

* The category we have not approached at all is Persian music.
Most people are not sure if musical activity has continued in
Iran after the ascendancy of the Islamic Republic in 1979.  Well,
attempts were made by extremist groups to curtail music and other
performing arts in the early 1980s. However, it did not get very
far. If anything, it made music a hot topic. Most music classes
keep long wait lists. Persian traditional music remains very
popular. I will at some point introduce you to some contemporary
master musicians of classical Persian music. In this window,
however, I would like to concentrate on the two kinds of music
that most of you would not expect to find in Iran. First, the
Iranian Symphony Orchestra is alive and well and performs
regularly. Last August, it performed in Germany (amid speculation
in the western media that the Islamic republic will not allow the
musicians to perform in the west):
<>http://www.payvand.com/news/06/aug/1331.html

* Even more surprising for non-Iranians is to hear about: modern
Iranian Rock and Pop bands. To read a report on that, click on:
http://www.flyglobalmusic.com/fly/archives/africamiddle_east_features/the_young_iran.html
be sure to scroll down to get to web addresses of individual
groups. Arian is among the most popular Iranian Pop groups and has
two women in the band. Last May, when I was in Iran, I saw at
least 8 or 9 CDs by them in music stores. Here is their web page.
Do click on English for more pictures: http://www.arianmusic.com/

Visual Delight

* And we will follow our tradition of visiting some contemporary
Iranian painters’ studios before closing Window number 7.  Here
are three delightful Iranian women painters and samples of their
works:

First, Nadimeh Abdollahi (b. 1980)
http://www.caroun.com/Painting/IranPainting/NadimehAbdollahi/NadimehAbdollahi.html

The second artist is Sahar Seyedi (b.1972)
http://www.caroun.com/Painting/IranPainting/SaharSeyedi/SaharSeyedi.html

And finally, Miranda Ansari (b. 1971)
http://www.caroun.com/Painting/IranPainting-01/MirandaAnsari/MirandaAnsari.html

I wish you all a very a good week.
========================
Fatemeh Keshavarz, Professor and Chair
Dept. of Asian and Near Eastern Languages and Literatuares
Washington University in St. Louis
Tel: (314) 935-5156
Fax: (314) 935-4399
========================

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Traditional Iranian Tea House in Shiraz

Traditional Iranian Tea House in Shiraz

Greetings again!

Many thanks for all your kind messages and for forwarding to friends.
Within minutes of sending out a new “Window,” I receive thank you
messages from a wide range of places in the world! I feel amply rewarded
for the work I put into each window. Sometimes, you write with a
specific query about a book or a film you want to use in class. Given my
current teaching and departmental responsibilities, please allow
approximately two weeks for a response.

I number the windows so we have a simple way to keep track. Please let
me know if there are missing numbers in the windows you have received,
JoAnn or I will forward them to you.

Current Issues

* Since you are likely to read this message tomorrow, I would like
to share with you a beautiful and moving piece of music written by
the Iranian musician Kourosh Taqavi for the traditional Persian
instrument setar, dedicated to the victims of 9/11 tragedy. Setar
is a small long-necked lute, an intimate instrument known for its
ability to express emotion. You will see a picture of it.  Please
be sure to listen to the whole excerpt (5 minutes):
http://www.iranian.com/Music/2001/September/Kourosh/index.html
* Last week I criticized NPR for misrepresenting a speech in
persian. This week I must commend the station for the very
informative program “Speaking of Faith” on Islam (touching on Iran
as well) aired this morning, 9:00-10:00. The panorama of voices
and views was refreshing. Among the Iranian American scholars
interviewed were Omid Safi (UNC), and Seyyid Hossein Nasr (George
Washington).

Suggested Reading: in relation to discussions surrounding the
anniversary of September 11, I would like to recommend a volume edited
by Professor Safi,  good for personal as well as classroom use:
Progressive Muslims: on Justice, Gender, and Pluralism (Oxford:
Oneworld, 2003).

* Iran continued to be in the papers.  LETTER FROM IRAN: A
Different Face of Iran
(Steven Knipp) in last Sunday’s Washington
Post is notable. Knipp observes: “what astonished me the most
about Iran were its women. I met and spoke with scores of them
from all parts of the country. And everywhere they were
wonderful: vivid, bold, articulate in several languages,
politically astute and audaciously outward-looking. While some men
demurred, the women weren’t afraid to voice opinions about
anything under the sun.” Not surprisingly, Knipp feels the need to
explain: ” In fact, women in Iran can work and drive and vote, own
property or businesses, run for political office and seek a
divorce. The majority of Iran’s university graduates are women.”
Sadly, the negative language that usually characterizes all media
reports on Iran surfaces in this well-intentioned letter as well
when the author expresses hope that:  “this once noble nation will
one day return to its tolerant roots.”  Similarly, the subtitle
for the letter reads: “An American finds hope in the Forbidden
Land.” Why forbidden land? What is forbidden? It is not clear. The
reader might assume (wrongly) that getting in and out of Iran is
not possible.

* Last week, Iran was in the news for a specific reason: a visit by
the former Iranian president Mohammad Khatami. He was here to
deliver the keynote address during the three-day annual event that
brought together approximately 40,000 Muslims: Islamic Society of
North America convention in Rosemont. The U.S. Deputy Secretary of
Defense Gordon England, Ingrid Matteson, the Society’s first
female president, and Robert Fisk, the celebrated British
journalist were among the speakers. Khatami’s address titled,
“Achieving Balance in a Troubled World,” focused on the complexity
of human identity and the need for American Muslims to acknowledge
the American as well as the Muslim component of their identity.
Chicago Sun-Times had a report on the convention if you like to
read more:
http://www.suntimes.com/output/religion/cst-nws-islamic01.html

* In a news conference held at the National Cathedral, Khatami
condemned committing violence in the name of any religion as a
double crime — one against humanity, and one against religions
which are “based on faith and love.”

Art/Culture

* Let us use the subject we are on to transition from politics into
art! In Iran, Khatami is best known for his support of arts,
particularly performing arts. Last year, the young Iranian super
star, actress Pegah Ahangarani
http://en.wikipedia.org/wiki/Pegah_Ahangarani

staged a show about Khatami in December 2005 to mark the ending of
his presidency. The show called ” A Night with the Man with a
Chocolate Robe” drew a large crowd and many reviews in the Iranian
media. Khatami joined the ladies on stage and spoke about the
significance of supporting and furthering his legacy of reform:
http://en.wikipedia.org/wiki/Mohammad_Khatami

* I know, I know my “windows” have often focused on women. It isn’t
my fault, as Knipp observed, there are many bright articulate
Iranian ladies making their artistic/intellectual statements. I
promise more attention to male contributions soon! For now, I
would like you to meet one more of my favorite Ladies of current
Iranian Cinema: internationally acclaimed writer and director,
Tahmineh Milani. Last time I went to see one of her films “Two
Women” in Iran, the wait in line for the ticket was one hour.
Milani has addressed many social issues, most of all those related
to women, family and gender. For a short bio and list of her
films, visit:
http://www.iranchamber.com/cinema/tmilani/tahmineh_milani.php

* And one more lady from Iranian cinema: Niki Karimi. Karimi started
with acting, worked closely with Milani, and moved into script
writing, documentary making and most recently directing. She has
won national fame, and many awards, for all of them. You may read
more about her and her films in:
http://www.nikikarimi.ir/biography.htm

Suggested Reading: Since we focused mostly on cinema, let me suggest a
good reading on the history of Iranian cinema and its recent
developments: The New Iranian Cinema: Politics, Representation and
Identity. The volume is edited by Richard Tapper and has contributions
from various scholars of Iranian cinema including Hamid Naficy.

Visual Delight

* It has turned into a tradition to close the window after a stroll
in a painting exhibit. Let us visit a 2006 exhibit by Neda Chaychi
born in 1971. In addition to her training as an artist, Neda has a
degree in clinical psychology. She has had many exhibits in the
last few years in Iran. As you see, women images are prominent in
her work:  http://www.elahe.net/thumb.php?gallery=317

Until Next Window!
Fatemeh

========================
Fatemeh Keshavarz, Professor and Chair
Dept. of Asian and Near Eastern Languages and Literatuares
Washington University in St. Louis
Tel: (314) 935-5156
Fax: (314) 935-4399
========================

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