Dear All,
I hope you have had a nice and restful Thanksgiving. If you have added a friend’s name to these windows, please give us a few days before we could add new names to our mailing list.
And now, let us open window 44 without further delay with recent images from Iran.
Visual Delight
* Iran is one [...]
Posts Tagged ‘Campaign Against Sanctions and Military Intervention in’
Windows on Iran 27
Posted in 9/11, Behrooz Ghamari-Tabrizi, Bill Ramsey, CASMII, Campaign Against Sanctions and Military Intervention in, Cyrus the Great, ETA, Fatemeh Keshavarz, Howard Brick, Iranian Americans, Iranian Art, Iranian Women, Iraq, Persian Empire, Washington University Peace Coalition, Washington University in St. Louis, Windows on Iran, civil society, cyrus, farah notash, feminism, feminist, history, intellectuals, iran, iraq war, john lewis, john mccain, politics, terrorism, tourism, u.s. media, u.s. propaganda, women, women's rights, women's studies, tagged 9/11, A Manufactured Crisis: Facts and Fiction, and the Politics of a Nuclear Iran, basque separatist, Behrooz Ghamari-Tabrizi, Bill Ramsey, bomb bomb bomb bomb iran, bomb iran, Campaign Against Sanctions and Military Intervention in, CASMII, culture, Cyrus the Great, cyrus the great palace, ETA, europol, farah notash, Fatemeh Keshavarz, feminism, feminist, genocide, george mason university, GMU, Hands off Iran, hiroshima, Howard Brick, Human Right's Watch, iran, iranian painters, Iranian Women, Iraq, iraq war, islamic threat, john lewis, madrid, nagasaki, no substitute for victory, Out of Iraq, painting, pasargadae, Persian Empire, Senator John McCain, terrorism, terrorist attacks, Washington University Coalition for Peace, Washington University Peace Coalition, women on August 24, 2008 | Leave a Comment »
Dear All,
I hope you are well. As we prepare to wrap up the semester here at Washington University in St. Louis, lots of exciting things are still happening. I will here mention two events specifically related to Iran.
Last week, Washington University Coalition for Peace organized a panel discussion that brought close to fifty students together [...]
Windows on Iran 26
Posted in 300, Ahasuerus, CASMII, CIA, Campaign Against Sanctions and Military Intervention in, Cyrus the Great, Eliz Sanasarian, Fatemeh Keshavarz, Frank Miller, Greece, Hollywood, Hussain Alizadeh, Iranian Art, Iranian Music, Iranian Women, Isfahan, Noushin Ahmadi Khorasani, Persian Empire, Ray Takeyh, Tehran, U.N., Washington University in St. Louis, Windows on Iran, alborz mountains, battle of Thermopylae, book of esther, books, botany, civil society, cyrus, cyrus cylinder, feminism, feminist, gardens, history, human rights, mount damavand, mountains, movie 300, nargis chalak, painting, paragliding, politics, protests, tourism, u.s. media, u.s. propaganda, vali nasr, women, women's rights, women's studies, xerxes, tagged 300, alborz mountains, Alice Bloch, Best Research Book on Women, books, British museum, british soldiers arrested by iran, Campaign Against Sanctions and Military Intervention in, CASMII, CIA, contemporary iranian music, Council on Foreign Relations, covert operations in iran, cyrus, cyrus cylinder, Cyrus the Great, Eliz Sanasarian, esfahan, farvardin, fasl-e zanan, fasl-i zanan, Fatemeh Keshavarz, feminism, feminist, feminist tribune, Frank Miller, gardens, Grammy Award, Hidden Iran: Paradox and Power in the Islamic Republic, Hussain Alizadeh, iran, Iranian Americans, iranian feminist movement, Iranian Music, iranian musician, iranian painters, iranian pilot, iranian women's movement, Isfahan, Jens-e Dovom, Jens-i Dovom, Lisa Mullins, movie 300, nargis chalak, Nayereh Tohidi, Noushin Ahmadi Khorasani, nowrouz, Nowruz, paragliding, Persian Empire, persian gulf, persian new year, photography, PRI, Ray Takeyh, sizdar bedar, Tehran, The Shia Revival: How Conflicts Within Islam Will Shape, The Watching Heart: A Journey in Peace, The Women's Rights Movement in Iran: Mutiny, The World, tourism, translations, vali nasr, Washington University in St. Louis, What We Can Learn From Britain About Iran?, Windows on Iran, women, women's cultural center, women's rights, women's rights movement on August 22, 2008 | Leave a Comment »
Dear All,
Yes, we missed a window altogether! The semester is coming to an end with lots of activity including course preparations, visits by the last speakers of the academic year, departmental duties, etc. My friend Alice Bloch and I had a repeat performance of “The Watching Heart: A Journey in Peace,” our Dance/Reading for Peace, [...]
Windows on Iran 22
Posted in CASMII, Campaign Against Sanctions and Military Intervention in, Dokhi Fassihian, Fatemeh Keshavarz, IED, Iranian Art, Iranian Women, Iraq, Masoud Dashtban, NPR, Nami Petgar, Rumi, Tehran, Windows on Iran, X Carolina Center for Middle Eastern Studies, fatima bhutto, feminism, feminist, iran, iraq war, maulana, mountains, mowlavi, painting, politics, protests, religion, the ecstatic faith of rumi, tourism, u.s. media, u.s. propaganda, women, women's rights, women's studies, tagged Alice Bloch, anti-war, art, attacking iran, Building Confidence, Campaign Against Sanctions and Military Intervention in, Carolina Center for Middle Eastern Studies, CASMII, contemporary iranian painter, countryside of iran, Dokhi Fassihian, Fatemeh Keshavarz, fatima bhutto, feminism, feminist, hills, IED, iran, iranian feminist movement, iranian painters, Iranian Women, Iraq, iraq war, Krista Tippett, landscape, Lian Ensemble, Masoud Dashtban, mountains, mowlavi, muslim women, nader sadeghi, Nami Petgar, National Iranian American Council, NIAC, NPR, or Building Confidence for Regime Change?, pictures, Rumi, Speaking of Faith, the ecstatic faith of rumi, u.s. media, women, zari teheri on August 19, 2008 | Leave a Comment »
Dear Friends,
I missed the opportunity last weekend for sending out Window number 22. I was in Chapel Hill, North Carolina (thanks to Carolina Center for Middle Eastern Studies) making a presentation, a book reading, and a joint reading and dance in which I shared the stage with my wonderful dancer and choreographer friend Dr. Alice [...]
